Johann Sebastian Bach, Hilary Hahn's 'Partita for Violin Solo No. 1 in B Minor, BWV 1002: 1. Allemande' came out on October 5, 2018. Since Partita for Violin Solo No. 1 in B Minor, BWV 1002: 1. Allemande is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, Hilary Hahn's "Hilary Hahn plays Bach: Violin Sonatas Nos. 1 & 2; Partita No. 1" album is number 5 out of 16. In terms of popularity, Partita for Violin Solo No. 1 in B Minor, BWV 1002: 1. Allemande is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Partita for Violin Solo No. 1 in B Minor, BWV 1002: 1. Allemande by Johann Sebastian Bach, Hilary Hahn to be Andante (at a walking pace) because the track has a tempo of 93 テンポ, a half-time of 46テンポ, and a double-time of 186 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto pour violoncelle No. 6 en ré majeur, G. 479: I. Allegro | Luigi Boccherini, Ophélie Gaillard, Pulcinella Orchestra | A Major | 1 | 11B | 82 BPM | ||
Concerto in D Minor, BWV 1060: I. Allegro | Johann Sebastian Bach, Giuliano Carmignola, Mario Brunello, Accademia dell'Annunciata, Riccardo Doni | D♭ Minor | 3 | 12A | 92 BPM | ||
Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Minor | 2 | 4A | 84 BPM | ||
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Concerto for Violin 'in tromba marina', Strings & Continuo in D Major, RV. 221: I. Allegro | Antonio Vivaldi, Adrian Chandler, La Serenissima | D Major | 3 | 10B | 111 BPM | ||
Holberg Suite, Op.40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 149 BPM | ||
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. — | Johann Sebastian Bach, Sir Neville Marriner, Anthony Jenkins, Charles Medlam, Denis Vigay, John Constable, Raymund Koster, Stephen Shingles, William Hunt, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 168 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM | ||
6 Sonatas for Violin Solo, Op. 27 / Sonata No. 4 in E Minor: I. Allemande | Eugène Ysaÿe, Hilary Hahn | E Minor | 1 | 9A | 105 BPM | ||
Violin Sonata in A major, FWV 8: III. Recitativo-Fantasia. Ben moderato - Molto lento | César Franck, Joshua Bell, Jeremy Denk | D Major | 0 | 10B | 132 BPM |