Eduard Strauss, Vienna Walzer Orchestra, Sandro Cuturello made "Mit Vergnügen!: Polka-schnell, Op. 228" available on July 4, 2019. The duration of Mit Vergnügen!: Polka-schnell, Op. 228 is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Mit Vergnügen!: Polka-schnell, Op. 228's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Rota - Di Chiara - Strauss -Waldteufel -Zeller - Raymond - Ziehrer - Suppé - Anderson: Vienna Walzer Orchestra, Waltz Forever, vol 9 , Japan 2014-2018". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Bulgaria. In terms of popularity, Mit Vergnügen!: Polka-schnell, Op. 228 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Mit Vergnügen!: Polka-schnell, Op. 228 by Eduard Strauss, Vienna Walzer Orchestra, Sandro Cuturello having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Attack, Op. 156 | Karel Komzák, Czech Philharmonic Orchestra, Václav Neumann | D Major | 5 | 10B | 147 BPM | ||
Valse-Caprice in E-Flat Major | Anton Rubinstein, Yevgeny Svetlanov, USSR State Symphony Orchestra | E♭ Major | 3 | 5B | 124 BPM | ||
Amour et printemps: Amor et Primtemps, Waltz | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | B Minor | 2 | 10A | 186 BPM | ||
Konzertwalzer, aus der Oper 'Faust' | Charles Gounod, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | D Major | 1 | 10B | 111 BPM | ||
Elfenreigen | Joseph Hellmesberger, Jr., Christian Thielemann, Wiener Philharmoniker | C Major | 0 | 8B | 137 BPM | ||
La Fille Mal Gardee: Pas de (arr. March): Act II: Adagio | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | G Major | 0 | 9B | 94 BPM | ||
Lachian Dances, JW VI/17: No. 6, Saw Dance | Leoš Janáček, Czech Philharmonic Orchestra, Václav Neumann | D♭ Minor | 1 | 12A | 99 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.5 in A Major (Allegro vivace) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | E Major | 3 | 12B | 142 BPM | ||
Fucik : Florentiner-Marsch Op.214 | Julius Fučík, Václav Neumann, Czech Philharmonic Orchestra | F Major | 4 | 7B | 125 BPM | ||
踊る人形 | Ede Poldini, Sir Charles Groves, フィルハーモニア管弦楽団 | D Major | 1 | 10B | 87 BPM |