Marc-Antoine Charpentier, Felicity Lott, Eiddwen Harrhy, Charles Brett, Ian Partridge, Stephen Roberts, Choir of King's College, Cambridge, Philip Ledger, Academy of St. Martin in the Fields's 'Te Deum H146 (1989 Digital Remaster): Te aeternum Patrem' came out on 1989. With Te Deum H146 (1989 Digital Remaster): Te aeternum Patrem being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 18 in Charpentier - Sacred Choral Works by Marc-Antoine Charpentier, Dame Felicity Lott/Choir of King's College, Cambridge/Academy of St Martin-in-the-Fields/English Chamber Orchestra/Sir Philip Ledger/Sir David Willcocks/Eiddwen Harrhy/April Cantelo/Helen Gelmar/Charles Brett/James Bowman/Ian Partridge/Step, Philip Ledger, Sir David Willcocks, Academy of St. Martin in the Fields, English Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Te Deum H146 (1989 Digital Remaster): Te aeternum Patrem is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Te Deum H146 (1989 Digital Remaster): Te aeternum Patrem テンポ

The tempo marking of Te Deum H146 (1989 Digital Remaster): Te aeternum Patrem by Marc-Antoine Charpentier, Felicity Lott, Eiddwen Harrhy, Charles Brett, Ian Partridge, Stephen Roberts, Choir of King's College, Cambridge, Philip Ledger, Academy of St. Martin in the Fields is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Te Deum H146 (1989 Digital Remaster): Te aeternum Patrem キー

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.