Johannes Brahms, Cappella Amsterdam, Daniel Reuss made "Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: I. Warum ist das Licht gegeben in Mühseligen?" available on November 17, 2014. With this song being about 5 minutes long, at 5:17, "Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: I. Warum ist das Licht gegeben in Mühseligen?" by Johannes Brahms, Cappella Amsterdam, Daniel Reuss is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 20 in Brahms: Choral Works by Johannes Brahms, Cappella Amsterdam, Daniel Reuss. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: I. Warum ist das Licht gegeben in Mühseligen? is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: I. Warum ist das Licht gegeben in Mühseligen? by Johannes Brahms, Cappella Amsterdam, Daniel Reuss is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas / Act 3: "Thy Hand, Belinda...When I Am Laid In Earth" | Henry Purcell, Barbara Bonney, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 164 BPM | ||
Fauré: Requiem in D Minor, Op. 48: I. Introït et Kyrie | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Minor | 0 | 7A | 72 BPM | ||
Cherubic Hymn, No. 7 | Dmitry Bortniansky, Estonian Philharmonic Chamber Choir, Paul Hillier | D Major | 1 | 10B | 86 BPM | ||
Solomon, HWV 67, Act III: No. 42 Symphony: Arrival of the Queen of Sheba | George Frideric Handel, Daniel Reuss, Akademie für Alte Musik Berlin | B Major | 2 | 1B | 106 BPM | ||
Laudate Dominum | Wolfgang Amadeus Mozart, Lucia Popp, Kurt Eichhorn | A Major | 1 | 11B | 132 BPM | ||
Requiem in D Minor, Op.48: 7. In paradisum | Gabriel Fauré, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner | D Major | 0 | 10B | 175 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German] | Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | B♭ Major | 1 | 6B | 111 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: Choral: "Befiehl du deine Wege" | Johann Sebastian Bach, The Hilliard Ensemble | D♭ Major | 0 | 3B | 104 BPM | ||
Kyrie | MartÍn Palmeri | C Minor | 4 | 5A | 102 BPM |