Claudio Arrau's 'Piano Concerto No. 1 in C, Op.15' came out on August 28, 2012. Since Piano Concerto No. 1 in C, Op.15 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Virtuoso Piano Collection by Claudio Arrau. The song's track number on the album is #3 out of 135 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Piano Concerto No. 1 in C, Op.15's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Piano Concerto No. 1 in C, Op.15 by Claudio Arrau has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Piano Concerto No. 1 in C, Op.15 being at 136 テンポ, the half-time would be 68 テンポ with a double-time of 272 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Nocturne No. 4 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 69 BPM | ||
Carnaval, Op.9: 6. Florestan | Robert Schumann, Claudio Arrau | B♭ Major | 0 | 6B | 67 BPM | ||
Iberia Book II: III. Triana | Isaac Albéniz, Claudio Arrau | F♯ Minor | 1 | 11A | 105 BPM | ||
Liebestraum No. 3 in A flat, S.541 No. 3 | Franz Liszt, Claudio Arrau | A♭ Major | 1 | 4B | 124 BPM | ||
Satie: La belle excentrique: No. 1, Grande ritournelle (Piano 4-Hands Version) | Erik Satie, Aldo Ciccolini/Gabriel Tacchino | G Minor | 5 | 6A | 135 BPM | ||
I. January. By the Fireside | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | B Minor | 1 | 10A | 103 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
4 Impromptus, Op.90, D.899: 3. Impromptu In G-Flat Major | Roger Woodward | A♭ Major | 1 | 4B | 87 BPM | ||
Grieg: Lyric Pieces, Book 5, Op. 54: IV. Notturno | Edvard Grieg, Leif Ove Andsnes | C Major | 0 | 8B | 112 BPM |