"7 Dikter ur Ensamhetens tankar av Verner von Heidenstam, Op. 7: VII. Du hade mig kar (You Loved Me)" by Wilhelm Stenhammar, Peter Mattei, Bengt-Åke Lundin was released on November 30, 1994. The duration of 7 Dikter ur Ensamhetens tankar av Verner von Heidenstam, Op. 7: VII. Du hade mig kar (You Loved Me) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. 7 Dikter ur Ensamhetens tankar av Verner von Heidenstam, Op. 7: VII. Du hade mig kar (You Loved Me)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Stenhammar: Songs, Opp. 7, 8, 16, 20, and 26". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Sweden. 7 Dikter ur Ensamhetens tankar av Verner von Heidenstam, Op. 7: VII. Du hade mig kar (You Loved Me) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 7 Dikter ur Ensamhetens tankar av Verner von Heidenstam, Op. 7: VII. Du hade mig kar (You Loved Me) by Wilhelm Stenhammar, Peter Mattei, Bengt-Åke Lundin having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
The Magic Flute, K. 620: Overture | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | E♭ Major | 1 | 5B | 90 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Die Zauberflöte, K. 620 / Erster Aufzug: "Dies Bildnis ist bezaubernd schön" | Wolfgang Amadeus Mozart, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | E♭ Major | 1 | 5B | 94 BPM | ||
Suite im alten Stil, Op. 10: Adagio | Christian Sinding, Henning Kraggerud, Razumovsky Symphony Orchestra, Bjarte Engeset | A Minor | 1 | 8A | 94 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Idil Biret, Philharmonia Orchestra, James Loughran | D Minor | 3 | 7A | 94 BPM | ||
Fauré: Requiem, Op. 48: VI. Libera me | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Minor | 0 | 7A | 82 BPM | ||
2 Sentimental Romances, Op. 28: No. 2 - Allegro patetico in F Minor | Wilhelm Stenhammar, Tobias Ringborg, Swedish Chamber Orchestra, Niklas Willen | F Minor | 2 | 4A | 81 BPM | ||
5 Sanger av Bo Bergman, Op. 20: II. Vid fonstret (At the Window) | Wilhelm Stenhammar, Peter Mattei, Bengt-Åke Lundin | A Major | 1 | 11B | 73 BPM | ||
8 Part-Songs, Op.119: No. 3, The Blue Bird | Charles Villiers Stanford, Tenebrae, Nigel Short | F♯ Major | 0 | 2B | 78 BPM |