"Quatre Motets: Ubi Caritas" by Maurice Duruflé, The Choir Of Trinity College, Cambridge, Richard Marlow had its release date on 1989. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Quatre Motets: Ubi Caritas's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 18 in Fauré/Duruflé/Messiaen by The Choir Of Trinity College, Cambridge. In terms of popularity, Quatre Motets: Ubi Caritas is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quatre Motets: Ubi Caritas by Maurice Duruflé, The Choir Of Trinity College, Cambridge, Richard Marlow is Andante (at a walking pace), since this song has a tempo of 93 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei | Louis Vierne, Michel Bouvard | A♭ Major | 1 | 4B | 81 BPM | ||
Organ Voluntary in D Minor, Op. 5 No. 8: III. Allegro. Fugue | John Stanley, Richard Marlow | D Minor | 0 | 7A | 69 BPM | ||
Veni, veni Emmanuel | Zoltán Kodály, Aquarius | F Minor | 1 | 4A | 77 BPM | ||
Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 1 | 10B | 90 BPM | ||
Requiem, Op. 9 (1961 version): Lux aeterna | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | B♭ Major | 0 | 6B | 84 BPM | ||
7 Partsongs, Op. 17: No. 3, My Spirit Sang All Day | Gerald Finzi, The Graduate Choir, nz, Terence Maskell | G Minor | 2 | 6A | 71 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: IV. Hallelujah | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 107 BPM | ||
Motet Jesu Meine Freude (Bwv 227) | Musica Amphion, Gesualdo Consort Amsterdam | E♭ Minor | 1 | 2A | 80 BPM | ||
Requiem, Op.48: Pie Jesu | Gabriel Fauré, London Musici, Richard Marlow, Camilla Otaki | B♭ Major | 0 | 6B | 138 BPM |