Antonio Vivaldi, Margaret Marshall, Linda Finnie, Anthony Rolfe Johnson, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers's ' "Magnificat in G minor, R.610/611: 2. Allegro: Et exsultavit" was released on its scheduled release date, May 25, 2024. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Magnificat in G minor, R.610/611: 2. Allegro: Et exsultavit's duration is considered a little bit shorter than the average duration of a typical track. The song is number 51 out of 96 in English Chamber Orchestra plays Vivaldi, Handel & Telemann by English Chamber Orchestra, Georg Philipp Telemann, Antonio Vivaldi, George Frideric Handel. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Magnificat in G minor, R.610/611: 2. Allegro: Et exsultavit is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Magnificat in G minor, R.610/611: 2. Allegro: Et exsultavit by Antonio Vivaldi, Margaret Marshall, Linda Finnie, Anthony Rolfe Johnson, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers is Andante (at a walking pace), since this song has a tempo of 107 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: The Fairy Queen, Z. 629, Act IV: Song. "Thus the Ever Grateful Spring" | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman, Francine van der Heijden | B Minor | 0 | 10A | 78 BPM | ||
Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: IX. Domine salvum | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Minor | 3 | 12A | 93 BPM | ||
Les fêtes d'Hébé, RCT 41, Act I Scene 3: En vain contre Thélème | Jean-Philippe Rameau, Chantal Santon Jeffery, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 0 | 5B | 99 BPM | ||
Paulus: II. Teil: Nr. 27 Rezitativ T "Da aber die Juden das Volk sahn" - Chor "So spricht des Herr" | Felix Mendelssohn, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe, James Taylor | B♭ Major | 1 | 6B | 170 BPM | ||
Pimpinone, TWV 21:15, Pt. 1: Chi mi vuol, son cameriera | Georg Philipp Telemann, Marie-Sophie Pollak, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Missa S. Marcellini: XIII. Et in unum Dominum - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 2 | 3B | 68 BPM | ||
Magnificat, ZWV 108: Magnificat anima mea Dominum | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | ||
Missa Paschalis, ZWV7: Agnus Dei | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 1 | 3B | 79 BPM | ||
Missa in D-Dur, KV194: Kyrie | Chor und Orchester von St. Augustin, Alexander Kaimbacher, Klemens Sander, Cornelia Horak, Martina Steffl, Andreas Pixner | D Major | 2 | 10B | 91 BPM | ||
Missa brevis in D Major, K. 194: II. Gloria | Wolfgang Amadeus Mozart, Collegium Classicum Köln, Hilke Helling, Klaus Mertens, Klaus Schneider, Kölner Kammerchor, Maria Zedelius, Peter Neumann | F Major | 0 | 7B | 91 BPM |