"Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 (Rehearsal Excerpts) [Mariss Jansons probt mit dem BRSO]" by Richard Strauss, Bavarian Radio Symphony Orchestra, Mariss Jansons, Friedrich Schloffer was released on November 19, 2021. With Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 (Rehearsal Excerpts) [Mariss Jansons probt mit dem BRSO] being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 18 in the song's album "R. Strauss: Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 (Rehearsal Excerpts)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 (Rehearsal Excerpts) [Mariss Jansons probt mit dem BRSO] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 (Rehearsal Excerpts) [Mariss Jansons probt mit dem BRSO] by Richard Strauss, Bavarian Radio Symphony Orchestra, Mariss Jansons, Friedrich Schloffer having a テンポ of 64 with a half-time of 32 テンポ and a double-time of 128 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17b, Allegro vivo | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 79 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Sehr mässig und zurückhaltend | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | C Major | 0 | 8B | 75 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Tsar Saltan, Op. 57: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM | ||
4 Lieder, Op. 27, TrV 170: 4. Morgen! | Richard Strauss, Lise Davidsen, Zsolt-Tihamér Visontay, Philharmonia Orchestra, Esa-Pekka Salonen | G Major | 0 | 9B | 171 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 0 | 8B | 65 BPM | ||
Semiramide: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | A Major | 1 | 11B | 151 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Jazz Suite No. 2: VII. Dance 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 109 BPM |