"Samson et Dalila, Op. 47, Act II: Mon coeur s'ouvre à ta voix" by Camille Saint-Saëns, Montserrat Caballé, Josè Collado was released on 1991. Since Samson et Dalila, Op. 47, Act II: Mon coeur s'ouvre à ta voix is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Montserrat Caballé's "Montserrat Caballé, Diva Eterna" album is number 9 out of 24. Samson et Dalila, Op. 47, Act II: Mon coeur s'ouvre à ta voix is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Samson et Dalila, Op. 47, Act II: Mon coeur s'ouvre à ta voix by Camille Saint-Saëns, Montserrat Caballé, Josè Collado to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Limu, limu, lima (Arr. Schindler for Piano) | Lang Lang | E Minor | 0 | 9A | 69 BPM | ||
Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
18 Études, Op. 109: No. 13, L'orage | Franz Burgmüller, Carl Petersson | D Minor | 1 | 7A | 85 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | A Minor | 2 | 8A | 63 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Miroirs: III. Une barque sur l'océan | Maurice Ravel, André Laplante | D Major | 0 | 10B | 76 BPM | ||
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) | Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind | E♭ Major | 1 | 5B | 105 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM |