""Fête des Belles eaux" (1937): No. 2 L'eau - Arr. for Cello and Harmonium" by Olivier Messiaen, Isang Enders, Joachim Enders was released on April 24, 2020. "Fête des Belles eaux" (1937): No. 2 L'eau - Arr. for Cello and Harmonium appears to be safe for all ages as it is not explicit. This song is part of Vox Humana by Isang Enders. The song's track number on the album is #15 out of 16 tracks. "Fête des Belles eaux" (1937): No. 2 L'eau - Arr. for Cello and Harmonium is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since "Fête des Belles eaux" (1937): No. 2 L'eau - Arr. for Cello and Harmonium by Olivier Messiaen, Isang Enders, Joachim Enders has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With "Fête des Belles eaux" (1937): No. 2 L'eau - Arr. for Cello and Harmonium being at 76 テンポ, the half-time would be 38 テンポ with a double-time of 152 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Pieces in Old Style: No. 2. Menuetto I | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | A Minor | 1 | 8A | 155 BPM | ||
Piano Piece | Morton Feldman, David Greilsammer | A♭ Major | 0 | 4B | 168 BPM | ||
Saint Francois D'Assise / Premier Acte: Pardonne-moi, Père, je récrimine toujours (le Lépreux, Saint Francois) | Olivier Messiaen, Chris Merritt, José van Dam, Hallé, Kent Nagano, Jeanne Loriod, Arnold Schoenberg Chor, Erwin Ortner | C Major | 3 | 8B | 169 BPM | ||
Lamentate: Fragile | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | D Major | 1 | 10B | 126 BPM | ||
Piano Sonata No. 1 in F Minor, Op. 6: IV. Marche Funebre (Arr. V. Rogal-Levitsky) | Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin | D♭ Major | 0 | 3B | 54 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Two Preludes, Op.3: No.1 | Julian Scriabin, Vladimir Ashkenazy | F♯ Major | 0 | 2B | 0 BPM | ||
Le marteau sans maître: "Bourreaux de solitude" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | A♭ Major | 0 | 4B | 81 BPM | ||
Rissolty Rossolty | Ruth Crawford Seeger, Schönberg Ensemble, Oliver Knussen | F Major | 3 | 7B | 117 BPM | ||
Musica ricercata: No. 7, Cantabile, molto legato | György Ligeti, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 110 BPM |