"The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Moderato: First Decoy Game" by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez was released on January 1, 1996. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 15 in Bartók: The Miraculous Mandarin by Béla Bartók, Chicago Symphony Chorus, Chicago Symphony Orchestra, Duain Wolfe, Pierre Boulez. The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Moderato: First Decoy Game is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Moderato: First Decoy Game by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
Piano Concerto No. 2, Op. 28: I. Allegro dramatico | Sergei Bortkiewicz, David Porcelijn, Janacek Philharmonic Orchestra, Stefan Doniga | E♭ Minor | 2 | 2A | 102 BPM | ||
Clarinet Concerto in C Minor, Op. 31: III. Rondo: Allegro giocoso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F Major | 1 | 7B | 77 BPM | ||
Dvorák: Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | B Minor | 2 | 10A | 93 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Shostakovich: Cello Concerto No. 2 in G Major, Op. 126: II. Allegretto | Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra of Saint Petersburg | G Major | 2 | 9B | 113 BPM | ||
Sibelius: The Maiden in the Tower: Overture | Jean Sibelius, Paavo Järvi, Estonian National Symphony Orchestra | F Major | 0 | 7B | 82 BPM | ||
Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito | Johannes Brahms, David Zinman | D Major | 2 | 10B | 97 BPM | ||
Andante in A Major, BB 26b | Béla Bartók, James Ehnes, Andrew Armstrong | E Minor | 1 | 9A | 60 BPM | ||
Roman Festivals: III. L'Ottobrata | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | C Major | 1 | 8B | 77 BPM |