Jose Serrano, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid's ' "Serrano: El trust de los tenorios: No. 11, Jota, "Te quiero, morena" (Perico)" was released on its scheduled release date, February 5, 2007. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Serrano: El trust de los tenorios: No. 11, Jota, "Te quiero, morena" (Perico)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid's "Gitano" album is number 11 out of 15. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Serrano: El trust de los tenorios: No. 11, Jota, "Te quiero, morena" (Perico) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Serrano: El trust de los tenorios: No. 11, Jota, "Te quiero, morena" (Perico) by Jose Serrano, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid to be Moderato (at a moderate speed) because the track has a tempo of 113 テンポ, a half-time of 56テンポ, and a double-time of 226 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Golondrina de Madrid: "¡No, Caballero!¡Apártese!" | Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón | B♭ Major | 3 | 6B | 103 BPM | ||
Molinos de Viento: Melopea, final de la obra | Manuel Hernández, Felisa Herrero, Marcos Redondo, Delfín Pulido | F Major | 2 | 7B | 76 BPM | ||
La Giralda (Pasodoble) | Real Orquesta Sinfónica de Sevilla, Spanish Folklore | D Major | 5 | 10B | 112 BPM | ||
Preludio. Orquesta - El Caserio | Carlos Munguia, Julio Uribe | A Major | 4 | 11B | 116 BPM | ||
La cancion del olvido, Act I: Junto al puente de la pena | Jose Serrano, Carlos Álvarez, Galicia Symphony Orchestra, Miquel Ortega | D Major | 8 | 10B | 124 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3: "Spargi d'amaro pianto" (Lucia, Raimondo, Chorus, Enrico) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Mefistofele: Epilogue - Ave Signor - Odi il canto d'amor | Arrigo Boito, Riccardo Muti | E Major | 4 | 12B | 139 BPM | ||
Las Hijas del Zebedeo: Carceleras | Ruperto Chapí, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | A Minor | 3 | 8A | 73 BPM | ||
Luisa Fernanda, Acto i: Caballero del alto plumero | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | A Major | 2 | 11B | 85 BPM | ||
Olas del Danubio | Gran Orquesta Vienesa | F Major | 4 | 7B | 180 BPM |