Antonio Salieri, Cecilia Bartoli, Orchestra of the Age of Enlightenment, Ádám Fischer's 'La Finta scema / Act 2: Se lo dovessi vendere' came out on January 1, 2003. With La Finta scema / Act 2: Se lo dovessi vendere being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 13 in Cecilia Bartoli: The Salieri Album by Antonio Salieri, Cecilia Bartoli, Orchestra of the Age of Enlightenment, Ádám Fischer. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, La Finta scema / Act 2: Se lo dovessi vendere is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of La Finta scema / Act 2: Se lo dovessi vendere by Antonio Salieri, Cecilia Bartoli, Orchestra of the Age of Enlightenment, Ádám Fischer is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: Eja Mater, fons amoris… Fac, ut ardeat … Sancta Mater… Tui nati vulnerati | Agostino Steffani, Cecilia Bartoli, Franco Fagioli, Coro della Radiotelevisione Svizzera, Daniel Behle, Julian Prégardian, I Barocchisti, Diego Fasolis | G Minor | 3 | 6A | 87 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act II, Spirit "Stay, Prince and hear great Jove's command" | Henry Purcell, Orchestra of the Age of Enlightenment, Robin Blaze, René Jacobs | D♭ Minor | 1 | 12A | 67 BPM | ||
Les Danaïdes, Acte I Scène 1: Air de danse | Antonio Salieri, Les Chantres du Centre de Musique Baroque de Versailles, Olivier Schneebeli, Les Talens Lyriques, Christophe Rousset | F Major | 4 | 7B | 72 BPM | ||
La Cenerentola / Act 1: "Miei rampolli femminini" | Gioachino Rossini, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 3 | 8B | 137 BPM | ||
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM | ||
La fiera di Venezia: Act I: Scena 5: Fai torto orribile (Aria) | Antonio Salieri, L'Arte del mondo, Werner Ehrhardt | D Major | 1 | 10B | 81 BPM | ||
Requiem in D minor, K.626: 6. Benedictus | Wolfgang Amadeus Mozart, Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 1 | 6B | 90 BPM | ||
De Bottis: Mitilene, regina delle amazzoni: "Io piango" - "Io peno" (Mitilene, Armidoro) | Giuseppe De Bottis, Lea Desandre, Cecilia Bartoli, Jupiter, Thomas Dunford | B Minor | 2 | 10A | 103 BPM | ||
Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Agnus Dei qui tollis | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 68 BPM |