Michiyo Azusa, 田辺靖雄's '二人はステディー' came out on July 1, 1964. With 二人はステディー being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in アウフ・ヴィーダーゼーン(また逢う日まで)/二人はステディー, so we believe that "二人はステディー" is a single. In terms of popularity, 二人はステディー is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 二人はステディー by Michiyo Azusa, 田辺靖雄 is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
危険なふたり | Kenji Sawada | E Major | 7 | 12B | 146 BPM | ||
忘れな草をあなたに | Michiyo Azusa | B Minor | 3 | 10A | 85 BPM | ||
夢芝居 | Tomio Umezawa | E Minor | 5 | 9A | 74 BPM | ||
東京砂漠 | Kiyoshi Maekawa | D Major | 6 | 10B | 86 BPM | ||
愛はルフラン | Michiyo Azusa | F Major | 4 | 7B | 114 BPM | ||
今夜は離さない | Yukio Hashi, 安倍里葎子 | A Minor | 5 | 8A | 134 BPM | ||
ざんげの値打ちもない(完全版) | 北原ミレイ | G Minor | 4 | 6A | 93 BPM | ||
さそり座の女 | 美川憲一 | G Major | 6 | 9B | 172 BPM | ||
思えば遠くへ来たもんだ | Kaientai | B♭ Major | 7 | 6B | 88 BPM | ||
雪列車 | Kiyoshi Maekawa | D♭ Major | 5 | 3B | 103 BPM |