"Violin Concerto: III. Quarter note = ca. 152" by Ellen Taaffe Zwilich, Pamela Frank, Saarbrücken Radio Symphony Orchestra, Michael Stern was released on September 1, 2005. Since Violin Concerto: III. Quarter note = ca. 152 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Zwilich: Violin Concerto / Rituals by Ellen Taaffe Zwilich. The song's track number on the album is #3 out of 7 tracks. The popularity of Violin Concerto: III. Quarter note = ca. 152 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Violin Concerto: III. Quarter note = ca. 152 by Ellen Taaffe Zwilich, Pamela Frank, Saarbrücken Radio Symphony Orchestra, Michael Stern has a tempo of 181 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Violin Concerto: III. Quarter note = ca. 152 being at 181 テンポ, the half-time would be 90 テンポ with a double-time of 362 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abbey Road concerto for Violin and Orchestra: IV. Intermezzo 2 | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | G Major | 1 | 9B | 75 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 1: Intermezzo I | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | F♯ Major | 0 | 2B | 83 BPM | ||
Orchestral Suite No. 2, Op. 11: III. Kehtolaulu. Andante semplice | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | A Minor | 0 | 8A | 85 BPM | ||
41 Klavierstücke, Op. 93: No. 22 Andante | The Gerst Ensemble | D Major | 0 | 10B | 77 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Respighi: Trittico botticelliano: I. La Primavera | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 137 BPM | ||
Grieg: 4 Symphonic Dances, Op. 64: II. Allegretto grazioso | Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra | E♭ Minor | 1 | 2A | 110 BPM | ||
Quintet for Alto Saxophone & String Quartet in A Minor: III. Quarter Note Equals 60 | Ellen Taaffe Zwilich, Otis Murphy, Pacifica Quartet | E Minor | 1 | 9A | 126 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
Concerto for Bassoon and Orchestra: I. | Ellen Taaffe Zwilich, Nancy Goeres, Lorin Maazel, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 123 BPM |