"Kinderszenen, Op. 15: VII. Träumerei" by Robert Schumann, Angela Hewitt was released on November 1, 2010. The duration of Kinderszenen, Op. 15: VII. Träumerei is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Kinderszenen, Op. 15: VII. Träumerei's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "Schumann: Davidsbündlertänze, Kinderszenen & Sonata No. 2". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Kinderszenen, Op. 15: VII. Träumerei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kinderszenen, Op. 15: VII. Träumerei by Robert Schumann, Angela Hewitt having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Préludes / Book 1, L. 117: 5. Les collines d'Anacapri - Excerpt | Claude Debussy, Jean-Joël Barbier | G Major | 2 | 9B | 84 BPM | ||
Prélude in B Major, Op. 16, No. 1 | Alexander Scriabin, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
Norwegian Peasant Dances, Op. 72: No. 6, Gangar (etter Myllarguten). Allegretto e marcato | Edvard Grieg, Rune Alver | F Major | 0 | 7B | 87 BPM | ||
Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1) | Franz Liszt, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
15 Preludes: No. 13. Andante cantabile | Nino Rota, Gabriele Baldocci | F Minor | 4 | 4A | 128 BPM | ||
Carnaval, Op. 9: No. 4, Valse noble | Robert Schumann, Jouni Somero | B♭ Major | 1 | 6B | 107 BPM | ||
Toccata in C Major, Op. 7 | Robert Schumann, Sergey Tanin | C Major | 3 | 8B | 114 BPM | ||
Goosebump | Barnaboy | D♭ Minor | 0 | 12A | 78 BPM | ||
Preludio de Sofía | José María Vitier, Carlos Manuel Vargas | A Major | 1 | 11B | 69 BPM | ||
6 Morceaux, Op. 83: II. Sur l'eau | Moritz Moszkowski, Seta Tanyel | D♭ Major | 1 | 3B | 74 BPM |