Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard's 'Chansons: Jamais tant que je vous revoye' came out on 1998. The duration of Chansons: Jamais tant que je vous revoye is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Chansons: Jamais tant que je vous revoye's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard's "Gilles Binchois - Chansons" album is number 13 out of 17. Based on our statistics, Chansons: Jamais tant que je vous revoye's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chansons: Jamais tant que je vous revoye by Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Instrumental piece III | Hildegard von Bingen, Sequentia, Barbara Thornton, Margriet Tindemans | C Major | 0 | 8B | 136 BPM | ||
Missa L'homme arme: Illumina faciem tuam | Guillaume Dufay, Oxford Camerata, Jeremy Summerly | D♭ Minor | 0 | 12A | 129 BPM | ||
Missa Prolationum: Sanctus | Johannes Ockeghem, Musica Ficta, Bo Holten | F♯ Major | 1 | 2B | 133 BPM | ||
Es liegt ein Schloß in Osterreich | Caspar Othmayr, Matthias Lucht, Sven Schwannberger, Julian Behr | B Major | 1 | 1B | 179 BPM | ||
Canzon quinta a tre | Bartolomé de Selma y Salaverde, La Ritirata, Josetxu Obregon | C Major | 3 | 8B | 74 BPM | ||
Mon cuer chante joyeusement | Gilles Binchois, Comet Musicke, Francisco Mañalich, Marie Favier, Aude-Marie Piloz, Cyrille Métivier, Camille Ranciere, François Joron, Sarah Lefeuvre, Erwan Picquet | D Major | 0 | 10B | 69 BPM | ||
Second livre de danseries: Tourdion C’est grand plaisir | Pierre Attaingnant, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
Levita Laurentius | Ivo de Vento, Harmonia Recorder Ensemble | F Major | 0 | 7B | 71 BPM | ||
Requiem [in memoriam Josquin Desprez] à 6 voix: I. Introitus - Requiem aeternam | Jean Richafort, Huelgas Ensemble | F Major | 1 | 7B | 83 BPM | ||
Greyner, Zanner | Piffaro | A Major | 1 | 11B | 132 BPM |