Wachet auf, ruft uns die Stimme BWV 140: Chorale: Wachet auf, ruft uns die Stimme - Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Chior, Sandrine Piau, Johannette Zomer, Caroline Stam 情報

音響性: 92%
ダンサビリティ: 28%
エネルギー: 6%
手段性: 3%
活気: 55%
ラウドネス: 65%
話し言葉: 4%
価数: 23%
人気: 13%
ラウドネス: -21.27 dB

まとめ

Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Chior, Sandrine Piau, Johannette Zomer, Caroline Stam's 'Wachet auf, ruft uns die Stimme BWV 140: Chorale: Wachet auf, ruft uns die Stimme' came out on March 7, 2007. Wachet auf, ruft uns die Stimme BWV 140: Chorale: Wachet auf, ruft uns die Stimme is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The track order of this song in Johann Sebastian Bach, Ton Koopman's "J.S. Bach: Cantatas Vol. 21" album is number 1 out of 64. On top of that, Netherlands appears to be the country where this track was created. The popularity of Wachet auf, ruft uns die Stimme BWV 140: Chorale: Wachet auf, ruft uns die Stimme is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Wachet auf, ruft uns die Stimme BWV 140: Chorale: Wachet auf, ruft uns die Stimme テンポ

We consider the tempo marking of Wachet auf, ruft uns die Stimme BWV 140: Chorale: Wachet auf, ruft uns die Stimme by Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Chior, Sandrine Piau, Johannette Zomer, Caroline Stam to be Vivace (lively and fast) because the track has a tempo of 172 テンポ, a half-time of 86テンポ, and a double-time of 344 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.

Wachet auf, ruft uns die Stimme BWV 140: Chorale: Wachet auf, ruft uns die Stimme キー

This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

おすすめの曲

Track	Artist	Key	Energy	Camelot	BPM
Suite in D Minor, HWV 447: Allemande	George Frideric Handel, David Greilsammer	D Minor	1	7A	74 BPM
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.3 in C sharp major BWV872	Daniel Barenboim	D♭ Major	0	3B	133 BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]	Franz Liszt, Joseph Banowetz	G Minor	0	6A	96 BPM
Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: I. Allegro	Johann Sebastian Bach, David Fray, Audrey Vigoureux, Emmanuel Christien, Jacques Rouvier, Orchestre National Du Capitole De Toulouse	A Minor	3	8A	108 BPM
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro	Cologne Chamber Orchestra, Johann Sebastian Bach	B♭ Major	2	6B	90 BPM
6 Impromptus, Op. 5: Impromptu VI	Jean Sibelius, Leif Ove Andsnes	E Major	0	12B	62 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro	Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana	D Major	3	10B	129 BPM
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846	Luc Beauséjour	B Major	3	1B	78 BPM
Handel: Harpsichord Suite No. 5 in E Major, HWV 430: IV. Air con Variazioni, "The Harmonious Blacksmith" (from "Suites de Pièces pour le Clavecin I", 1720) - 1996 Digital Remaster	George Frideric Handel, Sviatoslav Richter	E Major	0	12B	144 BPM
Cello Concerto in C Major, RV 398: II. Largo	Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer	A Minor	0	8A	115 BPM

ISRC: NLK170600122
レコードレーベル: L-M Records/RCA Records