Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra's 'Esperanza (Arr. for Cello and Orchestra by Martin Ulikhanyan)' came out on May 17, 2024. The duration of Esperanza (Arr. for Cello and Orchestra by Martin Ulikhanyan) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Esperanza (Arr. for Cello and Orchestra by Martin Ulikhanyan)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 16 in Aznavouriana by Camille Thomas. Going off of the ISRC code of this track, we detected that the origin of this track is from Armenia. Esperanza (Arr. for Cello and Orchestra by Martin Ulikhanyan) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Esperanza (Arr. for Cello and Orchestra by Martin Ulikhanyan) by Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Distintas Realidades | Valores Especiales | E Minor | 2 | 9A | 88 BPM | ||
Jack Arrow | Palmanoir | G Minor | 4 | 6A | 100 BPM | ||
12 Etudes for Cello, Op. 35: No. 11, Adagio espressivo | Auguste Franchomme, Camille Thomas | D♭ Minor | 1 | 12A | 129 BPM | ||
Un poco a lo Felisberto | Luciano Supervielle, ORQUESTA FILARMÓNICA DE MONTEVIDEO, Camila Rodriguez | E Minor | 7 | 9A | 87 BPM | ||
Si Yeou Ki, Pt. 1: II. La délivrance de Souen Wou K'ong | Laurent Petitgirard, Hungarian Symphony Orchestra Budapest | E Minor | 0 | 9A | 103 BPM | ||
Révélation à Asuncion | Georges Garvarentz, Raymond Lefèvre | E Major | 4 | 12B | 90 BPM | ||
Suite for String Orchestra, Nocturne | Dr. Jeffrey Thompson | F Major | 0 | 7B | 57 BPM | ||
UNSEEN: No. 9 | Michael Torke, Michael Torke Orchestra, East Coast Chamber Orchestra | E Major | 4 | 12B | 79 BPM | ||
The Adventures of Tin Tin: The Duel | Danish National Symphony Orchestra, Christian Schumann | D Minor | 5 | 7A | 141 BPM | ||
Solo Cello Sonata, Op. 28: IV. Finale con brio - Allegro Tempo fermo | Eugène Ysaÿe, Camille Thomas | C Minor | 2 | 5A | 141 BPM |