Frédéric Chopin, Peter Phillips, Michael von Zadora's 'Etudes, Op. 10: No. 11 in E♭ Major, 'Arpeggio' - Duo-Art 5523' had a release date set for September 19, 2023. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Etudes, Op. 10: No. 11 in E♭ Major, 'Arpeggio' - Duo-Art 5523's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 14 in Alla Turca. Piano Essentials from the Golden Age by Peter Phillips, Frederic Lamond, Ludwig van Beethoven, Wolfgang Amadeus Mozart, Frédéric Chopin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Etudes, Op. 10: No. 11 in E♭ Major, 'Arpeggio' - Duo-Art 5523 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Etudes, Op. 10: No. 11 in E♭ Major, 'Arpeggio' - Duo-Art 5523 by Frédéric Chopin, Peter Phillips, Michael von Zadora is Moderato (at a moderate speed), since this song has a tempo of 110 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | D Major | 1 | 10B | 84 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Nocturne in G Major, Op. 37, No. 2 | Frédéric Chopin, Vladimir Feltsman | G Major | 0 | 9B | 66 BPM | ||
12 Études d'exécution transcendante, S. 139: No. 4 Mazeppa (Presto) | Franz Liszt, Daniil Trifonov | A Major | 3 | 11B | 106 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat Major | Johannes Brahms, Tal & Groethuysen | A Major | 0 | 11B | 126 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Víkingur Ólafsson | F♯ Major | 0 | 2B | 76 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM |