"Queen of the Night Aria (from Magic Flute)" by Gottfried Reiche, Jeremiah Clarke, Ryan Anthony, Gary Beard was released on September 1, 2007. The duration of Queen of the Night Aria (from Magic Flute) is about 3 minutes long, at 3:07. Based on our data, "Queen of the Night Aria (from Magic Flute)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 23 in the song's album "Ryan Anthony". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Canada. Based on our statistics, Queen of the Night Aria (from Magic Flute)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Queen of the Night Aria (from Magic Flute) by Gottfried Reiche, Jeremiah Clarke, Ryan Anthony, Gary Beard having a テンポ of 150 with a half-time of 75 テンポ and a double-time of 300 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25 Études faciles et progressives, Op. 100: No. 4, Petite réunion | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 124 BPM | ||
Quartet No. 1: II. Lento | Jacques Georges Charles Duvernoy, Italian Classical Consort, Luigi Magistrelli | B♭ Major | 0 | 6B | 99 BPM | ||
Highland Cathedral | Organist Giles Taylor | D Major | 1 | 10B | 68 BPM | ||
Concerto in D Major, TWV 51: D7: IV. Allegro | Georg Philipp Telemann, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | D♭ Minor | 3 | 12A | 129 BPM | ||
Oboe Concerto in D Major, Op. 7 No. 6: II. Adagio | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | B Minor | 1 | 10A | 75 BPM | ||
12 Marches héroiques 'Heldenmusik', TWV 50: 31-42 I. Die Würde – La Majesté (Arr. Tine Thing Helseth & Kåre Nordstoga) | Georg Philipp Telemann, Tine Thing Helseth, Kåre Nordstoga | D Major | 2 | 10B | 135 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): II. Maestoso | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
[Abblasen] | Gottfried Reiche, Josh Cohen, Ensemble Sprezzatura, Daniel Abraham | D♭ Major | 0 | 3B | 65 BPM | ||
24 neue Quatricinia (24 New Quartets): No. 15. Sonatina | Gottfried Reiche, Ewald Brass Quintet | D Minor | 1 | 7A | 160 BPM | ||
Sonata decima: III. Sarabanda | Giovanni Battista Bassani, Francesco Cera, William Dongois | D♭ Major | 2 | 3B | 63 BPM |