"beFORe JOHN: VII. Traditions Part 2 - ZEN-e?" by Zoltán Váczi, Aurél Holló, Amadinda Percussion Group was released on July 15, 2014. beFORe JOHN: VII. Traditions Part 2 - ZEN-e? appears to be safe for all ages as it is not explicit. The track order of this song in Amadinda Percussion Group's "Hollo / Vaczi: Before John" album is number 5 out of 14. Based on our statistics, beFORe JOHN: VII. Traditions Part 2 - ZEN-e?'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of beFORe JOHN: VII. Traditions Part 2 - ZEN-e? by Zoltán Váczi, Aurél Holló, Amadinda Percussion Group to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Murder Ballades: Tears For Sister Polly | Bryce Dessner, eighth blackbird | C Minor | 6 | 5A | 164 BPM | ||
Movement III—Linear Tableau with Intersecting Surprise | Sufjan Stevens | G Minor | 3 | 6A | 130 BPM | ||
Fullness Of Wind (Variation On 'The Canon In D Major' By Johann Pachelbel) - Remastered 2004 | Brian Eno | D Major | 2 | 10B | 88 BPM | ||
Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
Beyond the Glass Mountain... (Before John: 9) | Zoltán Váczi, Amadinda Percussion Group | B♭ Major | 3 | 6B | 128 BPM | ||
The 12th Symphony of S. Weores: I. Alma agon (Apple on the bough) | Janos Decsenyi, Adrienne Csengery, Zoltán Rácz, Zoltán Váczi | A Minor | 1 | 8A | 85 BPM | ||
Infra 5 | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Ian Burdge, Chris Worsey | F♯ Minor | 3 | 11A | 81 BPM | ||
Quatuor pour la fin du temps (Quartet for the End of Time): Louange à l'éternité de Jésus | Olivier Messiaen, William Pleeth, Erich Gruenberg, Gervase De Peyer, Michel Béroff | E Major | 0 | 12B | 189 BPM | ||
Sorrow: II - Lento E Largo — Tranquillissimo | Henryk Górecki, Colin Stetson | B♭ Minor | 3 | 3A | 77 BPM | ||
Four Hands | Nils Frahm | B♭ Minor | 2 | 3A | 51 BPM |