Gabriel Fauré, Nash Ensemble, Susan Tomes's '"Dolly" Suite for Piano Duet Op.56: Berceuse' came out on 2001. The duration of "Dolly" Suite for Piano Duet Op.56: Berceuse is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. "Dolly" Suite for Piano Duet Op.56: Berceuse's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 14 in Fauré: Violin Sonata In A Op.13, Dolly Suite Op.56, Piano Quintet In C Minor Op.115 by Gabriel Fauré, Nash Ensemble. "Dolly" Suite for Piano Duet Op.56: Berceuse is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of "Dolly" Suite for Piano Duet Op.56: Berceuse by Gabriel Fauré, Nash Ensemble, Susan Tomes is Adagio (slowly with great expression), since this song has a tempo of 70 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Liszt: 3 Liebesträume, S. 541: No. 3 in A-Flat Major | Franz Liszt, John Ogdon | A♭ Major | 1 | 4B | 72 BPM | ||
Solomon, HWV 67, Act III: Sinfonia, "Arrival of the Queen of Sheba" | George Frideric Handel, Budapest Strings | B♭ Major | 2 | 6B | 107 BPM | ||
Sometimes I Feel Like a Motherless Child | Samuel Coleridge-Taylor, Isata Kanneh-Mason | C Major | 1 | 8B | 68 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 2. Adagio sostenuto | Sergei Rachmaninoff, Zoltán Kocsis, San Francisco Symphony, Edo de Waart | D Major | 3 | 10B | 141 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F♯ Minor | 0 | 11A | 66 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | ||
3 Gymnopédies: No. 1 in D Major: Lent et douloureux | Erik Satie, Pascal Rogé | G Major | 0 | 9B | 82 BPM | ||
Sonata No. 8 para piano in C Minor, Op. 13 " Sonata pathétique " : II. Adagio cantabile | Wolf Rottmann | A♭ Major | 0 | 4B | 173 BPM |