"12 Danzas espanolas (Spanish Dances), Op. 37 (arr. R. Ferrer): No. 1. Galante (Minuetto)" by Rafael Ferrer, Enrique Granados, Barcelona Symphony and Catalonia National Orchestra, Salvador Brotons was released on May 15, 2002. The duration of 12 Danzas espanolas (Spanish Dances), Op. 37 (arr. R. Ferrer): No. 1. Galante (Minuetto) is about 3 minutes long, at 3:23. Based on our data, "12 Danzas espanolas (Spanish Dances), Op. 37 (arr. R. Ferrer): No. 1. Galante (Minuetto)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Rafael Ferrer, Enrique Granados, Salvador Brotons's "Granados: Spanish Dances (Orch. Ferrer)" album is number 1 out of 12. 12 Danzas espanolas (Spanish Dances), Op. 37 (arr. R. Ferrer): No. 1. Galante (Minuetto) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 12 Danzas espanolas (Spanish Dances), Op. 37 (arr. R. Ferrer): No. 1. Galante (Minuetto) by Rafael Ferrer, Enrique Granados, Barcelona Symphony and Catalonia National Orchestra, Salvador Brotons to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amour... amour... (Version for Orchestra) | Franco Alfano, Orchestra Sinfonica Di Milano, Giuseppe Grazioli | G Major | 1 | 9B | 99 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction. Grave, Adagio cantabile | Max Bruch, Kirill Troussov, Christian Mandeal, Lübeck Philharmonic Orchestra | E♭ Major | 1 | 5B | 94 BPM | ||
Sinfonietta: III. Allegro | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | D♭ Major | 2 | 3B | 100 BPM | ||
Susan, the Doggie and Me | Percy Whitlock, RTE Concert Orchestra, Gavin Sutherland | E Major | 0 | 12B | 53 BPM | ||
Le merle blanc, Op. 161 | Eugène Damaré, Ensemble Instrumental La Follia, Jean-Louis Beaumadier | D Major | 3 | 10B | 119 BPM | ||
Suite de Danzas: El Albaicín, de la Suite Iberia (Palillos y Taconeo) | Isaac Albéniz, Pilar López, Antonio Montoya, Paco de Ronda, Rafael Ferrer, Orquesta Sinfónica Española | B Minor | 5 | 10A | 83 BPM | ||
First Year Pieces: No. 3, The Old Windmill | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM | ||
Bohemios: Concertante y final | Lolita Torrentó, Pura Gómez, Rafael Ferrer, Enrique Ribó, Coro General Capilla Clásica Polifónica, Orquesta Sinfónica Española | E♭ Major | 5 | 5B | 127 BPM | ||
Rossini: Il barbiere di Siviglia: Overture | Gioachino Rossini, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 1 | 12B | 89 BPM | ||
Cambios De Direccion | Las Pléyades | G Minor | 1 | 6A | 71 BPM |