"Liturgy of St. John Chrysostom, Op. 41: XV. Blessed is He Who Comes in the Name of the Lord" by Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk was released on April 1, 2006. With this song being about 5 minutes long, at 4:58, "Liturgy of St. John Chrysostom, Op. 41: XV. Blessed is He Who Comes in the Name of the Lord" by Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Tchaikovsky: Liturgy of St. John Chrysostom". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Netherlands. Liturgy of St. John Chrysostom, Op. 41: XV. Blessed is He Who Comes in the Name of the Lord is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Liturgy of St. John Chrysostom, Op. 41: XV. Blessed is He Who Comes in the Name of the Lord by Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pieśni Maryjne, Op. 54: 2. Matko Najświętsza! (Most Holy Mother) | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | D Minor | 0 | 7A | 133 BPM | ||
Missa Presulem ephebeatum: I. Kyrie | Heinrich Isaac, Cappella Mariana, Vojtěch Semerád | D Minor | 2 | 7A | 83 BPM | ||
Vespers, Op. 37: O Serene Light | Sergei Rachmaninoff, Mykhaylo Tyshchenko, Yuri Korinnyk, National Choir Of The Ukraine "Dumka", Yevhen Savchuk, Olga Borusene | D Major | 0 | 10B | 104 BPM | ||
Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
Hymn To The Mother Of God (Bogoroditse Devo) | Vasily Kalinnikov, Dmitri Hvorostovsky, St.Petersburg Chamber Choir, Nikolai Korniev | D Minor | 0 | 7A | 87 BPM | ||
O vos omnes | Carlo Gesualdo, Daarler Vocal Consort | D♭ Major | 2 | 3B | 120 BPM | ||
Opening Psalm (Greek Chant, Harmonized By A. Lvov) | S. Serafimovich, F. Stroganov, Ascention Church Choir (Maloe), Moscow | G Major | 1 | 9B | 78 BPM | ||
Looduspildid No. 3 "Sügismaastikud": II. Üle taeva jooksevad pilved | Veljo Tormis, Allmänna Sången, Cecilia Rydinger Alin | B♭ Minor | 0 | 3A | 78 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 2 | 5B | 122 BPM |