"12 Etudes, Op. 8: No. 5 in E Major" by Alexander Scriabin, Daniela Roma was released on May 19, 2023. The duration of 12 Etudes, Op. 8: No. 5 in E Major is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. 12 Etudes, Op. 8: No. 5 in E Major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Scriabin Visionary and Poet (Instrumental)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Italy. 12 Etudes, Op. 8: No. 5 in E Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 12 Etudes, Op. 8: No. 5 in E Major by Alexander Scriabin, Daniela Roma having a テンポ of 58 with a half-time of 29 テンポ and a double-time of 116 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rondo in A Minor, K. 511 | Wolfgang Amadeus Mozart, Seong-Jin Cho | D Minor | 1 | 7A | 130 BPM | ||
Sérénade Grotesque | Maurice Ravel, André Laplante | E♭ Minor | 1 | 2A | 172 BPM | ||
2 Pieces for the Left Hand, Op. 9: No. 2. Nocturne in D-Flat Major | Alexander Scriabin, Maria Lettberg | D♭ Major | 0 | 3B | 76 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
String Quartet: I. Modéré | Germaine Tailleferre, Fanny Mendelssohn Quartet | G Major | 4 | 9B | 136 BPM | ||
For Children, Vol. 2, Sz. 42 (Excerpts) [Original Version]: No. 34, Evening Kiss. Andante | Béla Bartók, Fülöp Ránki | D Major | 1 | 10B | 73 BPM | ||
Dolly, Op.56: 4. Kitty-Valse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E♭ Major | 1 | 5B | 101 BPM | ||
Debussy: Children's Corner, CD 119 - VI. Cakewalk | Claude Debussy, Isata Kanneh-Mason | A♭ Major | 0 | 4B | 106 BPM |