"Sinfonia Concertante for Flute, Oboe, Horn & Bassoon in E flat major, K.297B: 3. Andantino con variazioni" by Wolfgang Amadeus Mozart, Aurèle Nicolet, Heinz Holliger, Hermann Baumann, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner was released on June 1, 1984. Sinfonia Concertante for Flute, Oboe, Horn & Bassoon in E flat major, K.297B: 3. Andantino con variazioni appears to be safe for all ages as it is not explicit. The track order of this song in Wolfgang Amadeus Mozart, Heinz Holliger, Aurèle Nicolet, Hermann Baumann, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner's "Mozart: Sinfonia Concertante; Oboe Concerto" album is number 3 out of 6. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Sinfonia Concertante for Flute, Oboe, Horn & Bassoon in E flat major, K.297B: 3. Andantino con variazioni's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sinfonia Concertante for Flute, Oboe, Horn & Bassoon in E flat major, K.297B: 3. Andantino con variazioni by Wolfgang Amadeus Mozart, Aurèle Nicolet, Heinz Holliger, Hermann Baumann, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner to be Allegro (fast, quick, and bright) because the track has a tempo of 136 テンポ, a half-time of 68テンポ, and a double-time of 272 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
The music key of this track is B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Piano Sonata No. 17 in D Minor, Op. 31, No. 2, "Tempest": III. Allegretto | Ludwig van Beethoven, Jenő Jandó | G Minor | 1 | 6A | 123 BPM | ||
Frühlingsglaube (Arr. Franz Liszt) | Franz Schubert | A♭ Major | 3 | 4B | 64 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Études, Op. 10: Etude No. 6 in E-Flat Minor, Op. 10, No. 6 | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 73 BPM | ||
Keyboard Sonatina In C Major, Op. 36, No. 3: II. Un Poco Adagio | Muzio Clementi, Balazs Szokolay | G Major | 0 | 9B | 170 BPM | ||
Sonata No. 15 in C Major, III. Rondo | Maria João Pires | C Major | 2 | 8B | 98 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM |