"Piano Concerto in F Major: II. Adagio" by George Gershwin, Orion Weiss, Buffalo Philharmonic Orchestra, Joann Falletta was released on February 7, 2012. Piano Concerto in F Major: II. Adagio appears to be safe for all ages as it is not explicit. The track order of this song in George Gershwin, Orion Weiss, Buffalo Philharmonic Orchestra, Joann Falletta's "Gershwin: Piano Concerto in F Major, 2nd Rhapsody & I Got Rhythm Variations" album is number 2 out of 5. On top of that, United States appears to be the country where this track was created. Piano Concerto in F Major: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto in F Major: II. Adagio by George Gershwin, Orion Weiss, Buffalo Philharmonic Orchestra, Joann Falletta to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Masquerade Suite: III. Mazurka | Aram Khachaturian, Karen Khatchaturian, Moscow RTV Large Symphony Orcherstra | E Minor | 4 | 9A | 96 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Impromptu "in Two Keys" E Flat Major: Moderato | George Gershwin, Frank Braley | A♭ Major | 0 | 4B | 129 BPM | ||
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
6 Moments musicaux, Op.16: No. 5 in D flat, Adagio sostenuto | Sergei Rachmaninoff, Vladimir Ashkenazy | D♭ Major | 0 | 3B | 63 BPM | ||
L'Arlésienne Suite No.1: Carillon | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 65 BPM | ||
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 2, Sunday Morning | Benjamin Britten, André Previn, London Symphony Orchestra | C Major | 2 | 8B | 114 BPM | ||
Candide / Act I: 1. Overture | Leonard Bernstein, London Symphony Orchestra | B♭ Major | 4 | 6B | 148 BPM |