Agustín Barrios Mangoré, John Williams made "Una Limosna por el Amor de Dios "El Ultimo Canto"" available on 1995. The duration of Una Limosna por el Amor de Dios "El Ultimo Canto" is about 3 minutes long, at 3:27. Based on our data, "Una Limosna por el Amor de Dios "El Ultimo Canto"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "The Great Paraguayan". In this album, this song's track order is #8. Based on our statistics, Una Limosna por el Amor de Dios "El Ultimo Canto"'s popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Una Limosna por el Amor de Dios "El Ultimo Canto" by Agustín Barrios Mangoré, John Williams having a テンポ of 157 with a half-time of 78 テンポ and a double-time of 314 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guitar Sonata, Op. 21, No. 3: III. Rondeau: Allegretto con poco moto | Ferdinando Carulli, Richard Savino | D Major | 1 | 10B | 170 BPM | ||
Valse, Op. 64: II. Tempo giusto | Frédéric Chopin, Tatyana Ryzhkova | A Minor | 4 | 8A | 147 BPM | ||
Tango en Skaï | Roland Dyens, Pablo Sainz Villegas | A Minor | 2 | 8A | 122 BPM | ||
Sonata, Op. 61: II. Andante | Joaquín Turina, Jan Depreter | A Minor | 0 | 8A | 106 BPM | ||
El Sueño de la Muñeca | Agustín Barrios Mangoré, Fernando Espí | E Minor | 0 | 9A | 131 BPM | ||
24 Caprices, Op. 1 (arr. for guitar): No. 5 in A Minor | Niccolò Paganini, Marco Tamayo | E Minor | 2 | 9A | 69 BPM | ||
Tarantella | Johann Kaspar Mertz, Thibault Cauvin | A Minor | 3 | 8A | 139 BPM | ||
Orientale | César Cui, Yehuda Hanani, Eliot Fisk | G Minor | 0 | 6A | 171 BPM | ||
Tombeau (sur la mort) de M. Cajetan | Silvius Leopold Weiss, John Williams | E Minor | 0 | 9A | 105 BPM | ||
Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6: VI. Les sauvages (Arr. M. Grizard for Guitar) | Jean-Philippe Rameau, Raphaël Feuillâtre | E♭ Minor | 1 | 2A | 94 BPM |