Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players's 'Mozart: Die Zauberflöte, K. 620, Act 1 Scene 15: "Es lebe Sarastro! Sarastro lebe!" (Die Gefolge, Papageno, Pamina)' came out on February 7, 2005. With Mozart: Die Zauberflöte, K. 620, Act 1 Scene 15: "Es lebe Sarastro! Sarastro lebe!" (Die Gefolge, Papageno, Pamina) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players's "Mozart: Die Zauberflote" album is number 21 out of 60. Based on our statistics, Mozart: Die Zauberflöte, K. 620, Act 1 Scene 15: "Es lebe Sarastro! Sarastro lebe!" (Die Gefolge, Papageno, Pamina)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mozart: Die Zauberflöte, K. 620, Act 1 Scene 15: "Es lebe Sarastro! Sarastro lebe!" (Die Gefolge, Papageno, Pamina) by Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players to be Allegro (fast, quick, and bright) because the track has a tempo of 125 テンポ, a half-time of 62テンポ, and a double-time of 250 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solfeggio in C Minor, Wq. 117: No. 2 | Carl Philipp Emanuel Bach, See Siang Wong | C Minor | 2 | 5A | 78 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Der Stein der Weisen, Act I: Dialogue (2) | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Chris Pedro Trakas, Kevin Deas, Jane Giering-De Haan | E♭ Major | 2 | 5B | 77 BPM | ||
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | D Major | 3 | 10B | 99 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Debussy: Piano Trio in G Major, L. 5: I. Andantino con moto allegro | Claude Debussy, Bertrand Chamayou | C Major | 1 | 8B | 80 BPM | ||
Der Stein der Weisen, Act I: Dialogue (3) | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Chris Pedro Trakas, Kevin Deas, Judith Lovat, Paul Austin Kelly | G Major | 3 | 9B | 108 BPM | ||
Symphony No. 36 in C Major, K. 425 "Linz": II. Andante | Wolfgang Amadeus Mozart, Deutsche Kammerphilharmonie Bremen, Tarmo Peltokoski | C Major | 0 | 8B | 112 BPM | ||
Divertimento No.11 in D Major, K. 251 "Nannerl-Septett": III. Andantino | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | A Major | 1 | 11B | 68 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM |