"Pleiades Dances I, Op. 27: No. 3, Apple See Dance" by Takashi Yoshimatsu, Midori Matsuya had its release date on May 23, 1994. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Pleiades Dances I, Op. 27: No. 3, Apple See Dance's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Midori Matsuya's "Light Colored Album for Piano (Japanese Contemporary Pieces)" album is number 7 out of 17. In terms of popularity, Pleiades Dances I, Op. 27: No. 3, Apple See Dance is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pleiades Dances I, Op. 27: No. 3, Apple See Dance by Takashi Yoshimatsu, Midori Matsuya to be Moderato (at a moderate speed) because the track has a tempo of 118 テンポ, a half-time of 59テンポ, and a double-time of 236 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1, "Afro-American": II. Sorrow (Adagio) | William Grant Still, Fort Smith Symphony, John Jeter | F Major | 0 | 7B | 55 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | F♯ Minor | 1 | 11A | 85 BPM | ||
Schwanenlied | Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli | G Minor | 1 | 6A | 143 BPM | ||
La Fille Aux Cheveux De Lin, L. 117 | Claude Debussy, Ezio Bosso | F♯ Major | 0 | 2B | 90 BPM | ||
Berceuse for Thomas Montgomery Newman | George Antheil, Judy Pang | C Minor | 0 | 5A | 72 BPM | ||
Haro no Umi (for Violin and Harp) | Michio Miyagi, Gidon Kremer, Naoko Yoshino | A Minor | 1 | 8A | 127 BPM | ||
Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
サイバーバード協奏曲 II. 悲の鳥 (Bird in Grief) | Takashi Yoshimatsu, Andrea Battistoni, Tokyo Philharmonic Orchestra, Kohei Ueno, 山中惇史, Shun Ishiwaka | C Minor | 1 | 5A | 81 BPM | ||
優しき玩具 第2集(1974):たんぽぽの花瓶 | Takashi Yoshimatsu, Yasuko Kawamura | E♭ Minor | 5 | 2A | 130 BPM |