"Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio" by Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle was released on 2003. Since Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 38 in Beethoven: Symphonies 1-9 by Ludwig van Beethoven, Sir Simon Rattle, Wiener Philharmoniker. Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio by Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle is Larghetto (rather broadly), since this song has a tempo of 62 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Sextet in E-Flat Major, Op. 81b: III. Rondo | Ludwig van Beethoven, János Keveházi, Jeno Kevehazi, Ildiko Hegyi, Peter Popa, Gyözö Máthé, Péter Szabó | E♭ Major | 1 | 5B | 134 BPM | ||
Kreisleriana, Op.16: 4. Sehr langsam | Robert Schumann, Martha Argerich | C Minor | 0 | 5A | 53 BPM | ||
Symphony No. 2 in C Minor "Resurrection" / 3: (Scherzo): In ruhiger fließender Bewegung | Gustav Mahler, Wiener Philharmoniker, Claudio Abbado | G Minor | 0 | 6A | 164 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle | F Major | 1 | 7B | 137 BPM | ||
Tik-Tak Polka, Polka schnell, Op. 365 | Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker | A Major | 6 | 11B | 90 BPM | ||
Orpheus in the Underworld: Cancan | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 6 | 10B | 152 BPM | ||
Nechledil March | Franz Lehár, Gustavo Dudamel, Wiener Philharmoniker | F Major | 5 | 7B | 124 BPM | ||
Capriccio, Op. 85: Mondscheinmusik | Richard Strauss, Daniel Barenboim, Wiener Philharmoniker | A Major | 1 | 11B | 82 BPM | ||
Dolly, Op. 56: 2. Mi-A-Ou | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM |