"The Magic Mirror, Pt. 2 "In the Laboratory of a Medieval Alchemist and Magician": No. 17, Interlude II" by Richard Flury, Nuremberg Symphony Orchestra, Paul Mann was released on January 17, 2020. With The Magic Mirror, Pt. 2 "In the Laboratory of a Medieval Alchemist and Magician": No. 17, Interlude II being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 34 in Flury: The Magic Mirror & Little Ballet Music by Richard Flury, Nuremberg Symphony Orchestra, Paul Mann. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Magic Mirror, Pt. 2 "In the Laboratory of a Medieval Alchemist and Magician": No. 17, Interlude II is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Magic Mirror, Pt. 2 "In the Laboratory of a Medieval Alchemist and Magician": No. 17, Interlude II by Richard Flury, Nuremberg Symphony Orchestra, Paul Mann is Lento (slowly), since this song has a tempo of 55 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25 Études faciles et progressives, Op. 100: No. 20, Tarantelle | Franz Burgmüller, The Gerst Ensemble | B Minor | 0 | 10A | 172 BPM | ||
La jolie fille de Gand: Scene 4 | Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia | B♭ Major | 1 | 6B | 134 BPM | ||
Monte Cervino | Michael Geisler, Banda de Música da Força Aérea, António Rosado | B♭ Major | 2 | 6B | 136 BPM | ||
Violin Sonata No. 11 in A Major: II. Barcarole. Allegretto | Richard Flury, Urs Joseph Flury, Eugen Huber, Bruno Amaducci, Orchestra della Radio Svizzera Italiana | A Minor | 0 | 8A | 119 BPM | ||
Let the Hills Resound | The Regimental Band of the Coldstream Guards | A♭ Major | 4 | 4B | 109 BPM | ||
Lyric Waltz from Jazz Suite No. 2 Dmitri Shostakovich/johan De Meij | Johan de Meij | C Minor | 1 | 5A | 81 BPM | ||
Roller Coaster | Otto M. Schwarz, Bratislava Symphony Orchestra | G Major | 4 | 9B | 119 BPM | ||
Le merle blanc, Op. 161 | Eugène Damaré, Ensemble Instrumental La Follia, Jean-Louis Beaumadier | D Major | 3 | 10B | 119 BPM | ||
Suite from Mam'zelle Angot (Arranged and Orchestrated by Gordon Jacob), Act I: No. 1, Allegro | Alexandre Lecocq, Estonian National Symphony Orchestra, Neeme Järvi | F Minor | 1 | 4A | 135 BPM | ||
Excerpts from Dreigroschenoper: Ouverture I | Kurt Weill, Christian Lindberg, Prince of Denmark Air Force Band | B Major | 1 | 1B | 114 BPM |