Johann Caspar Fischer, Tony Millan's ' "Musicalischer Parnassus, uranie suite: VI. Gigue" was released on its scheduled release date, July 1, 2016. With This song being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Caspar Fischer, Tony Millan's "J.C.F. Fischer: Harpsichord Suites" album is number 6 out of 54. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Musicalischer Parnassus, uranie suite: VI. Gigue is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Musicalischer Parnassus, uranie suite: VI. Gigue by Johann Caspar Fischer, Tony Millan to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in E Major: III. Siciliano | Carl Heinrich Graun, Fréderick Franssen, Members of the Netherlands Radio Philharmonic Orchestra | E♭ Major | 3 | 5B | 100 BPM | ||
Overture (Suite) in B-Flat Major, Op. 1, No. 3: I. Ouverture | Johann Caspar Ferdinand Fischer, L'Orfeo Barockorchester, Michi Gaigg | D♭ Minor | 1 | 12A | 80 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Air gracieux pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 0 | 1A | 133 BPM | ||
Musicalischer Parnassus: Euterpe, Suite No. 6: Praeludium | Johann Caspar Ferdinand Fischer, Luc Beauséjour | E Major | 5 | 12B | 71 BPM | ||
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: I. Largo | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D Minor | 0 | 7A | 82 BPM | ||
Lœillet of Ghent: Recorder Sonata in C Minor, Op. 2 No. 5: I. Adagio | Jean-Baptiste Lœillet of Ghent, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | E Major | 0 | 12B | 116 BPM | ||
Fantasia: Fantasia | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Overture (Suite) in G Minor, Op. 1, No. 7: IV. Menuet | Johann Caspar Ferdinand Fischer, L'Orfeo Barockorchester, Michi Gaigg | F♯ Minor | 0 | 11A | 149 BPM | ||
Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM |