"Sinfonietta: 3. Moderato - Con moto - Prestissimo - Tempo I - Moderato" by Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik was released on 1970. With this song being about 5 minutes long, at 4:54, "Sinfonietta: 3. Moderato - Con moto - Prestissimo - Tempo I - Moderato" by Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik's "Janácek: Sinfonietta; Taras Bulba" album is number 3 out of 8. Sinfonietta: 3. Moderato - Con moto - Prestissimo - Tempo I - Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sinfonietta: 3. Moderato - Con moto - Prestissimo - Tempo I - Moderato by Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik to be Larghetto (rather broadly) because the track has a tempo of 62 テンポ, a half-time of 31テンポ, and a double-time of 124 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 'after Tolstoy's 'The Kreutzer Sonata' ': II. Con moto | Leoš Janáček, Alban Berg Quartett | A♭ Minor | 2 | 1A | 80 BPM | ||
Serenade for Strings in E Major, B.52: I. Moderato | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Major | 0 | 11B | 181 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace | Frédéric Chopin, Martha Argerich, London Symphony Orchestra, Claudio Abbado | E Major | 2 | 12B | 123 BPM | ||
Symphony No. 9 in C Major, D. 944 - "The Great": III. Scherzo (Allegro vivace) | Franz Schubert, Bavarian Radio Symphony Orchestra, Eugen Jochum | D♭ Major | 2 | 3B | 180 BPM | ||
The Firebird Suite (1945 Version): VIII. Infernal Dance of King Kashchei [Live] | Igor Stravinsky, Bavarian Radio Symphony Orchestra, Mariss Jansons | A Minor | 5 | 8A | 145 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VI - Andante | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | D Major | 1 | 10B | 117 BPM | ||
Symphony No. 3 in E Major, Op. 51: III. Adagio: Adagio ma non troppo | Max Bruch, Hungarian State Symphony Orchestra, Manfred Honeck | E♭ Minor | 1 | 2A | 133 BPM | ||
Symphony No. 1 in F Minor, Op. 10: III. Lento | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | F♯ Minor | 0 | 11A | 78 BPM | ||
Tanz Suite, Sz. 77: III. Allegro vivace | Béla Bartók, Bavarian Radio Symphony Orchestra, Cristian Măcelaru | C Major | 3 | 8B | 147 BPM | ||
Sweelinck Variations, Op. 56 "Mein junges Leben hat ein End'": Variation 7. Andante con moto | Karl Höller, Bavarian Radio Symphony Orchestra, Eugen Jochum | A Minor | 0 | 8A | 77 BPM |