Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini's 'Piano Concerto No.23 In A, K.488: 3. Allegro assai' came out on January 1, 1987. Since Piano Concerto No.23 In A, K.488: 3. Allegro assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini's "Mozart: Piano Concerto No.23 K.488; Piano Sonata K.333" album is number 3 out of 6. Based on our statistics, Piano Concerto No.23 In A, K.488: 3. Allegro assai's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No.23 In A, K.488: 3. Allegro assai by Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini to be Allegro (fast, quick, and bright) because the track has a tempo of 135 テンポ, a half-time of 68テンポ, and a double-time of 270 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Soirées de Vienne: 9 Valses-Caprices After Schubert, S. 427 - Live | Franz Liszt, Vladimir Horowitz | A Major | 1 | 11B | 99 BPM | ||
Pictures at an Exhibition (Orch. Ravel): IV. Bydlo | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A Major | 1 | 11B | 90 BPM | ||
Consolation No. 2 in E Major, S. 172/2 | Franz Liszt, Vladimir Horowitz | E Major | 0 | 12B | 50 BPM | ||
Mozart: Sinfonia concertante for Oboe, Clarinet, Horn and Bassoon in E-Flat Major, K. 297b: I. Allegro | Wolfgang Amadeus Mozart, Sabine Meyer, Bruno Schneider, Diethelm Jonas, Sergio Azzolini, Hans Vonk, Staatskapelle Dresden | E♭ Major | 1 | 5B | 137 BPM | ||
Keyboard Sonatina In C Major, Op. 36, No. 3: II. Un Poco Adagio | Muzio Clementi, Balazs Szokolay | G Major | 0 | 9B | 170 BPM | ||
Violin Sonata No. 24 in F Major, K. 376 (arr. P. Gallois for flute and piano): III. Rondeau: Allegretto grazioso | Patrick Gallois, Wolfgang Amadeus Mozart, Maria Prinz | F Major | 1 | 7B | 136 BPM | ||
Piano Trio No. 39: Piano Trio No. 39: I. Andante | Franz Joseph Haydn, Trio Wanderer | G Major | 1 | 9B | 140 BPM | ||
Debussy: Piano Trio in G Major, L. 5: II. Scherzo - Intermezzo - Moderato con allegro | Claude Debussy, Bertrand Chamayou | F♯ Minor | 0 | 11A | 80 BPM | ||
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegro | Johannes Brahms, Wiener Philharmoniker, Carlos Kleiber | F♯ Major | 7 | 2B | 129 BPM | ||
Impromptu "Nocturne", S. 191 | Franz Liszt, Vladimir Horowitz | D♭ Minor | 2 | 12A | 70 BPM |