Anonymous, La Reverdie's 'Chançonnete / A la cheminée / Veritatem (Medieval Harp, Dulcimer & Lute with Voices)' came out on December 31, 2002. The duration of Chançonnete / A la cheminée / Veritatem (Medieval Harp, Dulcimer & Lute with Voices) is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Chançonnete / A la cheminée / Veritatem (Medieval Harp, Dulcimer & Lute with Voices)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 74 in Dictionary of Medieval & Renaissance Instruments by Various Artists. In terms of popularity, Chançonnete / A la cheminée / Veritatem (Medieval Harp, Dulcimer & Lute with Voices) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chançonnete / A la cheminée / Veritatem (Medieval Harp, Dulcimer & Lute with Voices) by Anonymous, La Reverdie is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Credo In Unum Deum | Wierni, Schola Liturgiczna | E♭ Major | 3 | 5B | 128 BPM | ||
Agnus Dei | Probandi Benedittini Di San Giovanni In Parma | G Minor | 1 | 6A | 94 BPM | ||
Hymn To The Mother Of God (Bogoroditse Devo) | Vasily Kalinnikov, Dmitri Hvorostovsky, St.Petersburg Chamber Choir, Nikolai Korniev | D Minor | 0 | 7A | 87 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XII. Amen and with Thy Spirit | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
O quanta qualia | Peter Abelard, Augsburg Early Music Ensemble | A Major | 0 | 11B | 69 BPM | ||
Stetit Angelus | Millikin University Choir | A Minor | 1 | 8A | 86 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: IV. Hallelujah | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 107 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: I. Lord have Mercy | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Major | 3 | 10B | 79 BPM | ||
De ma dame vient | Adam de la Halle, Martyn Hill, Paul Elliott, Early Music Consort Of London, David Munrow | C Major | 2 | 8B | 82 BPM | ||
Agnus Dei | Probandi Benedittini Di San Giovanni In Parma | F Major | 1 | 7B | 76 BPM |