"Missa alla brevis, BuxWV 114: Kyrie" by Dietrich Buxtehude, Theatre Of Voices, TOV Band, Paul Hillier was released on 2010. The duration of Missa alla brevis, BuxWV 114: Kyrie is about 3 minutes long, at 3:15. Based on our data, "Missa alla brevis, BuxWV 114: Kyrie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 10 in Buxtehude: Scandinavian Cantatas by Dietrich Buxtehude, Paul Hillier. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Missa alla brevis, BuxWV 114: Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa alla brevis, BuxWV 114: Kyrie by Dietrich Buxtehude, Theatre Of Voices, TOV Band, Paul Hillier is Adagio (slowly with great expression), since this song has a tempo of 71 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave maris stella | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Elizabeth Nurse, Colin Danskin, Daniel Tate | B Minor | 2 | 10A | 71 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: IV. Variation IV | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Ouverture in E Minor: II. Les plaisirs | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | D Minor | 2 | 7A | 114 BPM | ||
Chamber Sonata No. 1 in B-Flat Major: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 1 | 11A | 88 BPM | ||
Sinfonia Nо. 1 in re maggiore (Il martirio di San Tenrenziano): V. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | F Major | 5 | 7B | 107 BPM | ||
Messa Delli Apostoli: Tocata avanti la Messa Delli Apostoli | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | E♭ Minor | 3 | 2A | 82 BPM | ||
Trio Sonata in D Minor, Op. 1 No. 6, BuxWV 257: X. Poco adagio-presto - XI. Lento | Dietrich Buxtehude, Filament | E♭ Minor | 4 | 2A | 111 BPM | ||
Stabat Mater in G Minor: VII. Sancta Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Minor | 0 | 10A | 57 BPM | ||
Jesu, meine Freude, BuxWV 60: II. Jesu, meine Freude | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | E Minor | 1 | 9A | 77 BPM | ||
Missa S. Marcellini: XVII. Et resurrexit - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | A♭ Major | 1 | 4B | 110 BPM |