George Gershwin, Randall Goosby, Zhu Wang's 'Porgy and Bess: It Ain't Necessarily So (Arr. Heifetz for Violin and Piano)' came out on May 28, 2021. The duration of Porgy and Bess: It Ain't Necessarily So (Arr. Heifetz for Violin and Piano) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Porgy and Bess: It Ain't Necessarily So (Arr. Heifetz for Violin and Piano)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Gershwin: Porgy and Bess: It Ain't Necessarily So (Arr. Heifetz for Violin and Piano) and no other songs are present in the album, we classify this track as a single. In terms of popularity, Porgy and Bess: It Ain't Necessarily So (Arr. Heifetz for Violin and Piano) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Porgy and Bess: It Ain't Necessarily So (Arr. Heifetz for Violin and Piano) by George Gershwin, Randall Goosby, Zhu Wang to be Moderato (at a moderate speed) because the track has a tempo of 117 テンポ, a half-time of 58テンポ, and a double-time of 234 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Preludes: No. 3, Agitato | George Gershwin, Pietro Beltrani, Daniele Negrini, Tiziano Guerzoni, Tommaso Ussardi, Orchestra Senzaspine | E♭ Major | 0 | 5B | 84 BPM | ||
I Got Plenty o’ Nuttin’ (From “Porgy and Bess”) | George Gershwin, Fazıl Say, Albert Regni, James Sapporito, Stanley Drucker, William Blossom | A♭ Minor | 2 | 1A | 105 BPM | ||
La Scandinavie: III. Polska norvégien | Percy Grainger, Andreas Brantelid, Christian Ihle Hadland | D Major | 0 | 10B | 87 BPM | ||
Grande Tarentelle, Op. 67, RO 259 | Louis Moreau Gottschalk, Michael Gurt, Hot Springs Music Festival Symphony Orchestra, Richard Rosenberg | D Minor | 3 | 7A | 82 BPM | ||
'I Got Rhythm' Variations for Piano and Orchestra | George Gershwin, Steven Richman, Lincoln Mayorga, Harmonie Ensemble/New York | C Major | 3 | 8B | 114 BPM | ||
Lieutenant Kijé, Symphonic Suite, Op.60: 2. Romance | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 109 BPM | ||
Violin Concerto in D Major: 4. Hootenanny | Wynton Marsalis, Nicola Benedetti, Philadelphia Orchestra, Cristian Măcelaru | D Major | 4 | 10B | 127 BPM | ||
Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | C Major | 2 | 8B | 97 BPM | ||
Piano Concerto in A Minor, Op. 7: 3. Allegro non troppo | Clara Schumann, Isata Kanneh-Mason, Royal Liverpool Philharmonic Orchestra, Holly Mathieson | A Minor | 2 | 8A | 113 BPM | ||
Elite Syncopations (arr. I. Perlman for violin and piano) | Itzhak Perlman, Scott Joplin, Matthew Trusler, Wayne Marshall | G Major | 3 | 9B | 100 BPM |