"Solenne in Quest'ora (La Forza del Destino)" by Jussi Björling, RCA Victor Orchestra, Robert Merrill was released on March 3, 1931. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Germany. In terms of popularity, Solenne in Quest'ora (La Forza del Destino) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Solenne in Quest'ora (La Forza del Destino) by Jussi Björling, RCA Victor Orchestra, Robert Merrill having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" | Charles Gounod, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 2 | 4B | 80 BPM | ||
Sverige | Wilhelm Stenhammar, Verner von Heidenstam, The Real Group | F♯ Major | 1 | 2B | 101 BPM | ||
Turandot | Renata Tebaldi, Jussi Björling, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | E♭ Minor | 2 | 2A | 79 BPM | ||
Don Pasquale, Act I Seconda Scena: Bella siccome un angelo (Malatesta/Pasquale) | Gaetano Donizetti, Leo Nucci/Sesto Bruscantini/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | D♭ Major | 2 | 3B | 126 BPM | ||
Nu är jag pank och fågelfri: Ich hab kein Geld, bin vogelfrei | Jussi Björling | D♭ Major | 4 | 3B | 86 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
Bilagers musiquen (Royal wedding music), BeRI 2, "Drottningholmsmusique": Allegro | Johan Helmich Roman, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 2 | 3B | 112 BPM | ||
Violin Concerto In D Major, Op. 61 | Berliner Philharmoniker, Yehudi Menuhin & Festival Orchestra Lucerne | B♭ Major | 2 | 6B | 95 BPM | ||
Loreley / Act 2: "Amor, celeste ebbrezza" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | G Major | 1 | 9B | 81 BPM |