Hans Judenkünig, Nigel North's 'Ein seer guter Organistischer Preambel' came out on 2007. The duration of Ein seer guter Organistischer Preambel is about 3 minutes long, at 3:05. Based on our data, "Ein seer guter Organistischer Preambel" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in The Attaignant Consort's "Madame d'amours" album is number 14 out of 33. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Ein seer guter Organistischer Preambel's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ein seer guter Organistischer Preambel by Hans Judenkünig, Nigel North to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia que contrahaze la harpa en la manera de Ludovico (Arr. North) | Alonso Mudarra, Nigel North | F♯ Major | 0 | 2B | 88 BPM | ||
Suite in G Minor, BWV 995: I. Prelude-Tres vite | Johann Sebastian Bach, Nigel North | A Major | 3 | 11B | 85 BPM | ||
The False Consonances of Musick, Aria II | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
Cancion del primer tono (after a Canzon by Nicolaus Gombert) | Luis de Narváez, Lutz Kirchhof | D Minor | 0 | 7A | 91 BPM | ||
Ricercar ottava | Vincenzo Capirola, Doulce Mémoire, Denis Raisin-Dadre | G Major | 1 | 9B | 82 BPM | ||
12 Trio Sonatas, Op. 1, No. 7: I.-III. Allegro - Grave - Allegro | Arcangelo Corelli, Simon Standage, Michaela Comberti, Nigel North, Trevor Pinnock | E♭ Major | 0 | 5B | 104 BPM | ||
Pavan No. 1 in C Minor | Robert Johnson, Nigel North | C Major | 1 | 8B | 179 BPM | ||
Suite in A Major: I. Prelude | Robert de Visée, Yasunori Imamura | G Major | 0 | 9B | 103 BPM | ||
Mrs. White's Nothing, P. 56 | John Dowland, Nigel North | F Minor | 1 | 4A | 68 BPM | ||
Sonata in C Minor: V. Sarabande | Silvius Leopold Weiss, Nigel North | G Major | 1 | 9B | 140 BPM |