"Lamentations of Jeremiah" by Thomas Tallis, Pro Cantione Antiqua, Mark Brown had its release date on February 8, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Tallis: Spem in Alium (40 Part Motet), Lamentations, Motets & Hymns". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Lamentations of Jeremiah is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lamentations of Jeremiah by Thomas Tallis, Pro Cantione Antiqua, Mark Brown having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem [in memoriam Josquin Desprez] à 6 voix: I. Introitus - Requiem aeternam | Jean Richafort, Huelgas Ensemble | F Major | 1 | 7B | 83 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM | ||
Beata Viscera I | Pérotin, Apollo5 | A Minor | 0 | 8A | 67 BPM | ||
Kyrie: Kyrie eleison | Hildegard von Bingen, Oxford Camerata, Jeremy Summerly | D♭ Minor | 0 | 12A | 92 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM | ||
4 Songs of Love: No. 4, His Left Hand | Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen | A Minor | 0 | 8A | 138 BPM | ||
Deo gratias | Johannes Ockeghem, Paul Van Nevel | C Major | 1 | 8B | 60 BPM | ||
Audivi vocem | Thomas Tallis, Oxford Camerata, Jeremy Summerly | F Major | 1 | 7B | 125 BPM |