"Kuin Hiipuva Hiillos Tummnetuu" by Elja Puukko, Risto Lauriala was released on April 5, 2010. With Kuin Hiipuva Hiillos Tummnetuu being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Elja Puukko's "Lastu Lainehilla" album is number 6 out of 23. Based on our statistics, Kuin Hiipuva Hiillos Tummnetuu's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kuin Hiipuva Hiillos Tummnetuu by Elja Puukko, Risto Lauriala to be Allegro (fast, quick, and bright) because the track has a tempo of 139 テンポ, a half-time of 70テンポ, and a double-time of 278 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat: No. 6, Esurientes implevit | Clive Osgood, London Mozart Players, Amy Carson, Robert Lewis | E Minor | 2 | 9A | 104 BPM | ||
Allez, Ma Chérie | Fanny Hearst | F Minor | 0 | 4A | 71 BPM | ||
Elias, Op. 70: Part I: Baal, erhöre uns (No. 11 Chorus) | Felix Mendelssohn, Karl-Friedrich Beringer | D Major | 3 | 10B | 106 BPM | ||
Die schone Mullerin, Op. 25, D. 795: No. 17. Die bose Farbe | Franz Schubert, Elja Puukko, Risto Lauriala | A Major | 4 | 11B | 126 BPM | ||
Messa di Gloria: Sanctus | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
Dvořák: Moravian Duets, Op. 32, Pt. 2, B. 62: No. 7, Wilde Rose | Antonín Dvořák, Elisabeth Schwarzkopf, Irmgard Seefried, Gerald Moore | B♭ Major | 2 | 6B | 103 BPM | ||
Ein deutsches Requiem, Op. 45: Denn alles Fleisch, es ist wie Gras - Arr. for Voices and 2 Pianos | Johannes Brahms, Rundfunkchor Berlin, Simon Halsey, Philip Mayers, Phillip Moll | F Major | 0 | 7B | 76 BPM | ||
V'Adoro, Pupille From Giulio Cesare | George Frideric Handel, Heidi Grant Murphy, Kevin Murphy | F Major | 1 | 7B | 101 BPM | ||
Suomen laulu (The Song of Finland) | Fredrik Pacius, YL Male Voice Choir, Matti Hyokki | E Minor | 1 | 9A | 78 BPM | ||
Messa di Gloria: IX. Cum Sancto Spiritu | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | C Major | 2 | 8B | 122 BPM |