"Macbeth / Act 4: Ah, la paterna mano" by Giuseppe Verdi, Roberto Alagna, Claudio Abbado, Berliner Philharmoniker was released on January 1, 2006. The duration of Macbeth / Act 4: Ah, la paterna mano is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Macbeth / Act 4: Ah, la paterna mano's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Viva Opéra ! by Roberto Alagna. The song's track number on the album is #8 out of 37 tracks. Macbeth / Act 4: Ah, la paterna mano is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Macbeth / Act 4: Ah, la paterna mano by Giuseppe Verdi, Roberto Alagna, Claudio Abbado, Berliner Philharmoniker has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Macbeth / Act 4: Ah, la paterna mano being at 82 テンポ, the half-time would be 41 テンポ with a double-time of 164 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 1: "Che gelida manina" | Jonas Kaufmann, Giacomo Puccini, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 3 | 4B | 68 BPM | ||
Rigoletto / Act 3: "La donna è mobile" - "E là il vostr'uomo" (Duca / Sparafucile, Rigoletto) | Giuseppe Verdi, Carlo Bergonzi, Ivo Vinco, Dietrich Fischer-Dieskau, Orchestra Del Teatro Alla Scala, Milano, Rafael Kubelik | F♯ Major | 1 | 2B | 136 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Carmen, Act II: No.12 Chanson Bohème : Les tringles des sistres tintaient avec un éclat métallique (Carmen/Frasquita/Mercédès) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 137 BPM | ||
Verdi: Aida, Act 4: "O terra, addio, valle di pianti" (Aida, Radamès, Amneris, Coro) | Giuseppe Verdi, Riccardo Muti, Chorus of the Royal Opera House, Covent Garden, Fiorenza Cossotto, Montserrat Caballé, Plácido Domingo, New Philharmonia Orchestra | D Major | 9 | 10B | 142 BPM |