Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel's 'Sonata Sexta in F Minor for Violin: IV. Allegro' came out on January 11, 2019. With Sonata Sexta in F Minor for Violin: IV. Allegro being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 28 in Circa 1700: Purcell & his Generation by La Rêveuse, Benjamin Perrot, Florence Bolton. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Sonata Sexta in F Minor for Violin: IV. Allegro is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sonata Sexta in F Minor for Violin: IV. Allegro by Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: I. Largo | Tomaso Albinoni, Ensemble 415, Chiara Banchini | B Major | 7 | 1B | 108 BPM | ||
Handel: Saul, HWV 53, Act 1: "Oh Lord, Whose Mercies Numberless" (David) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies | E Minor | 1 | 9A | 59 BPM | ||
Sinfonia from judgement of paris: Allegro | Daniel Purcell, Ensemble Arianna, Marie-Paule Nounou, Jean-François Madeuf, Joël Lahens, Jean Chamboux, Stephan Dudermel, Myriam Cambreling, Géraldine Roux, Jean-Paul Talvard, Bruno Helstroffer | D♭ Major | 1 | 3B | 117 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM | ||
Les Saisons amsusantes, Op. 8: Concerto No. 1, "Le Printemps": I. Allegro | Nicolas Chédeville, Dorothee Oberlinger | B Major | 2 | 1B | 112 BPM | ||
Magnificat en sol mineur, RV 610: I. Magnificat | Antonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | D♭ Major | 3 | 3B | 114 BPM | ||
Cavalli: Ercole amante, Act 1: Sinfonia | Francesco Cavalli, Thomas Dunford, Jupiter | F♯ Minor | 1 | 11A | 107 BPM | ||
Flute Concerto in D Minor, RV 431a "Il gran mogol": II. Larghetto | Antonio Vivaldi, Barthold Kuijken, Indianapolis Baroque Orchestra | B♭ Major | 4 | 6B | 129 BPM | ||
The Masque of Hymen: I’m Glad I Have Met Him | Daniel Purcell, The Sixteen, Harry Christophers, Kirsty Hopkins, Eamonn Dougan | B Major | 2 | 1B | 94 BPM | ||
Recorder Sonata No. 2 in D Minor: I. Adagio | Daniel Purcell, Le Tresor d'Orphee | B Major | 2 | 1B | 80 BPM |