"Violin Concerto No. 1, Op. 35: Cadenza" by Karol Szymanowski, Paul Kochanski, Christian Tetzlaff, Wiener Philharmoniker, Pierre Boulez was released on January 1, 2010. With this song being about 5 minutes long, at 4:31, "Violin Concerto No. 1, Op. 35: Cadenza" by Karol Szymanowski, Paul Kochanski, Christian Tetzlaff, Wiener Philharmoniker, Pierre Boulez is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 5 in the song's album "Szymanowski: Violin Concerto No.1, Op.35; Symphony No.3, Op.27 "Song of the Night"". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Violin Concerto No. 1, Op. 35: Cadenza is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No. 1, Op. 35: Cadenza by Karol Szymanowski, Paul Kochanski, Christian Tetzlaff, Wiener Philharmoniker, Pierre Boulez having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes For Piano, Op.11: No. 11 In B | Alexander Scriabin, Yuja Wang | B Major | 0 | 1B | 67 BPM | ||
Intermezzo No. 1 | Manuel Ponce, Simon Ghraichy | E Minor | 1 | 9A | 67 BPM | ||
Liebeslied, S. 566 (After Schumann’s Widmung, Op. 25 No. 1) | Franz Liszt, Rudolf Buchbinder | F♯ Major | 0 | 2B | 68 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Aria, Op. 9 | Mieczysław Weinberg, Deutsche Kammerphilharmonie Bremen, Mirga Gražinytė-Tyla | B♭ Major | 1 | 6B | 103 BPM | ||
Krol Roger (King Roger), Op. 46: Act I: Niech odejdzie Pasterz (He Must Go, the Shepherd) (Roger, Roxana, Chorus, Shepherd) | Karol Szymanowski, Wojtek Drabowicz, Olga Pasichnyk, Krzysztof Szmyt, Piotr Beczala, Romuald Tesarowicz, Stefania Toczyska, Ryszard Wroblewski, Justyna Kabala, Maciej Dunin-Borkowski, Alla Polacca Choir, Polish National Opera Chorus, Polish National Opera Orchestra, Jacek Kaspszyk | D Major | 5 | 10B | 69 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | ||
Dolly Suite, Op. 56: III. Le Jardin de Dolly | Gabriel Fauré, Katia Labèque, Marielle Labèque | D♭ Minor | 0 | 12A | 60 BPM |