Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, María Dueñas's 'Altar de cuerda: I. Morisco chilango' came out on May 10, 2024. Since Altar de cuerda: I. Morisco chilango is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 3 in the song's album "Ortiz: Altar de Cuerda". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Altar de cuerda: I. Morisco chilango's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Altar de cuerda: I. Morisco chilango by Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, María Dueñas having a テンポ of 129 with a half-time of 64 テンポ and a double-time of 258 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abbey Road concerto for Violin and Orchestra: IV. Intermezzo 2 | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | G Major | 1 | 9B | 75 BPM | ||
Symphony No. 5 in C minor, Op. 67: 1. Allegro con brio | Ludwig van Beethoven, Los Angeles Philharmonic, Esa-Pekka Salonen | C Minor | 3 | 5A | 81 BPM | ||
Inciso No. 4 | Carlo Balzaretti, Chen Xi, Gao Can | B Minor | 3 | 10A | 165 BPM | ||
Symphony No.7 in A, Op.92: 3. Presto - Assai meno presto | Ludwig van Beethoven, Los Angeles Philharmonic, Esa-Pekka Salonen | D Major | 1 | 10B | 99 BPM | ||
Adès: Dante, Pt. I "Inferno": III. The Ferryman | Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale | A Major | 1 | 11B | 80 BPM | ||
Piano Trio in G Major, CD 5: III. Andante espressivo | Claude Debussy, Florestan Trio | A♭ Major | 1 | 4B | 118 BPM | ||
Sonatina | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
Mozart: Flute Sonata in C Major, K. 296: II. Andante sostenuto (Transcr. of Violin Sonata) | Wolfgang Amadeus Mozart, Emmanuel Pahud, Eric Le Sage | C Major | 2 | 8B | 92 BPM | ||
Elternabend | Marvin Miller | C Major | 3 | 8B | 82 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation III | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 73 BPM |