"Mozart: Le nozze di Figaro, K. 492, Act IV: "L'ho perduta, me meschina!"" by Wolfgang Amadeus Mozart, Laurence Equilbey, Lea Desandre, Insula Orchestra was released on September 18, 2020. With Mozart: Le nozze di Figaro, K. 492, Act IV: "L'ho perduta, me meschina!" being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Laurence Equilbey's "Magic Mozart" album is number 16 out of 26. On top of that, United Kingdom appears to be the country where this track was created. Mozart: Le nozze di Figaro, K. 492, Act IV: "L'ho perduta, me meschina!" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Le nozze di Figaro, K. 492, Act IV: "L'ho perduta, me meschina!" by Wolfgang Amadeus Mozart, Laurence Equilbey, Lea Desandre, Insula Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Radamisto, HWV 12, Act 2: "Ombra cara di mia sposa" (Radamisto) | George Frideric Handel, Emőke Baráth, Artaserse, Philippe Jaroussky | F Minor | 1 | 4A | 76 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B Minor | 9 | 10A | 180 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 4 Scene 2: "Suicidio! … In questi fieri momenti" (Gioconda) | Amilcare Ponchielli, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | F♯ Minor | 1 | 11A | 90 BPM | ||
Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": "Forêts paisibles" (Zima, Adario, Sauvages) | Jean-Philippe Rameau, Sabine Devieilhe, Aimery Lefèvre, Le Jeune Choeur de Paris, Alexis Kossenko, Les Ambassadeurs | F♯ Minor | 3 | 11A | 85 BPM | ||
Rinaldo, HWV 7a: Cara sposa (Air de Rinaldo) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Minor | 0 | 12A | 116 BPM | ||
Bononcini: La costanza non gradita nel doppio amore d'Aminta: "Infelice mia costanza" (Aminta) | Giovanni Bononcini, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F Minor | 2 | 4A | 69 BPM | ||
Il Giustino, RV 717 / Act 2: "Vedrò con mio diletto" | Antonio Vivaldi, Cecilia Bartoli, Ensemble Matheus, Jean-Christophe Spinosi | B Minor | 1 | 10A | 110 BPM | ||
La Bohème (1991 Digital Remaster), Act I: Sì. Mi chiamano Mimì (Mimì/Rodolfo) | Giacomo Puccini, Nicolai Gedda, Thomas Schippers, Orchestra Del Teatro Dell'Opera Di Roma | D Major | 1 | 10B | 181 BPM | ||
Vivaldi: Andromeda Liberata, Anh. 117: "Sovente il sole" (Perseo) | Antonio Vivaldi, Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi | F♯ Major | 1 | 2B | 121 BPM | ||
La clemenza di Tito / Act 2: "Se mai senti spirarti sul volto" | Josef Mysliveček, Cecilia Bartoli, Kammerorchester Basel, Muhai Tang | E♭ Major | 1 | 5B | 76 BPM |