"Gagarin - En Romfartsopera: Ikaros" by Håkon Berge, Jon Bing, Tor Åge Bringsværd, Stavanger Symphony Orchestra, Grex Vocalis, Åshild Kyvik Bauge, Joachim Knoph Beisvåg, Folke Bengtsson, Eivind Bøksle, Espen Fegran, Anine Kruse Skatrud, Hilde Torgersen, Siri Torjesen, Per Vollestad had its release date on 1996. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 37 in Berge: Gagarin - En Romfartsopera by Håkon Berge, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. Gagarin - En Romfartsopera: Ikaros is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gagarin - En Romfartsopera: Ikaros by Håkon Berge, Jon Bing, Tor Åge Bringsværd, Stavanger Symphony Orchestra, Grex Vocalis, Åshild Kyvik Bauge, Joachim Knoph Beisvåg, Folke Bengtsson, Eivind Bøksle, Espen Fegran, Anine Kruse Skatrud, Hilde Torgersen, Siri Torjesen, Per Vollestad is Adagio (slowly with great expression), since this song has a tempo of 70 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Windsor Forest: No. 1, The Conspiracy | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron | E Minor | 1 | 9A | 72 BPM | ||
Welat | Håkon Berge, Gunnar Roalkvam, Various Artists | A♭ Major | 1 | 4B | 143 BPM | ||
Variasjoner over Med Jesus vil eg fara: VI. Var 5 | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
5 Songs: III. Laue Sommernacht (Transcr. Gottwald for Choir) | Alma Mahler, SWR Vokalensemble Stuttgart, Marcus Creed | D Major | 1 | 10B | 136 BPM | ||
Annelies (chamber version): II. The capture foretold | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | C Minor | 1 | 5A | 101 BPM | ||
Oedipus, Z.583: II. Music for a While | Henry Purcell, Musikhögskolans Kammarkör Piteå, Andrea Hagman, Erik Westberg | D♭ Major | 4 | 3B | 80 BPM | ||
3 Love Songs: No. 1. To Love and be Beloved | Mike Dixon, Chantage, James Davey | B♭ Major | 1 | 6B | 139 BPM | ||
I Am the Good Shepherd | unknown origin, Tapestry Chamber Singers | F♯ Major | 1 | 2B | 87 BPM | ||
Völuspá | Kryionia Bard | F Minor | 0 | 4A | 63 BPM | ||
Upon This Path | Tapestry Chamber Singers | E Minor | 2 | 9A | 65 BPM |